Romanian Folk Dances

I. Joc cu bâtǎ
V. Poargǎ Românească
VI. Mâruntel

Béla Bartók
arr. Zoltan Székely

Kazuma Matsumoto, violin

Cuckoo

Traditional

Mahoro Waki, flute

Happy Farmer

Robert Schumann

Keiko Gerke, piano

Celebrated Minuet

Luigi Boccherini

Nina Holland, clarinet

C’est moi

Frédéric Loewe

Miles Mason, voice

Imagine

John Lennon

Aurora Ordway, violin
Keiko Gerke, piano

Guárdame las vacas

Luis de Narváez

Isla Dalmas, guitar

Lady

D'Angelo

Yvonne Curry’s Advanced Tap Class
Esther Finger, Jack Landa, Yasmin Loebis

Minuets from Suite No.1 in G Major for unaccompanied cello

Johann Sebastian Bach

Max Strand, cello

Sechs Miniaturen für Flöte, violine und Klavier

II.  Übermütig (Exuberant)
V.  Lieblich (Lovely)

Rainer Effenberg

Robert Yang, flute

Anika Biklen, violin

Audrey O'Neill, piano

Sonatina in C Major, Op. 36 No. 3, Mvt. I

Muzio Clementi

Daria Fagan, piano

Bohemian Folk Song

Anonymous

Aila Ahlgren, viola

Carnival of Venice: Theme and Variations

Paul-Agricole Génin

Nina Gómez de Llarena, flute

Lush Life

Billy Strayhorn

Beau Gray, guitar

Paper Bag

Fiona Apple

Aaliya Rickicki, voice

Für Elise

Ludwig van Beethoven

Ella Legasto, piano

Polish Dance

Edmund Severn

Michael Flanagan, violin

Within a Dream

Neal Kirkwood

Zi Shan He, voice
Nina Rennie, voice
Georgia Quill, alto sax
Elroy Solondz, tenor sax
Sebastian Askew, piano
Azuka Corona, bass
Dean Driver, drums

Esmeralda Variation from the Ballet La Esmeralda

Music by Cesare Pugni
Choreography by Marius Petipa

Savannah Torres, dance

Pretty Funny

Benj Pasek & Justin Paul

Ivette Tavares, voice

Sicilienne

Johann Sebastian Bach
arr. Mack Wilberg

Kaity So, Hana Fujitaka, Sonia Baranoff, Josefa Lubelski

Beautiful Little Fool

Jason Howland & Nathan Tysen

Zi Shan He, voice

Sieben Phantasiestücke, Op. 57, Heft 1

VI.  Lebhaft, zart (Lively, delicate)

Robert Fuchs

Guadalupe Cohen, violin
Esme O’Donnell, viola
Ruby Freda, piano

Impromptu No. 2 in E‑flat Major, Op. 90

Franz Schubert

Hana Fujitaka, piano

Creo en mí

Natalia Jiménez

Arwen Monzon‑Sanders, voice

I’m a Star

Baby I’m a Star by Prince

Deena Parrilla’s Dance Fusion Class
Calista Cheung, Kendall Cheung, Gabi Flaum, Kaiya Hadiatmodjo, Oliya Knight, Lyla Luise, Mila Pryjmak, Ava Riccio, Nora Rozan, Joshua Selke, Naomi Solari, AnnaSophia Steidell

Cliffs of Dover

Eric Johnson

Pablo Garcés Kiley, guitar

A special thanks to Sandra F. Kaplan & Teodora Stepančić for piano accompaniment

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From the studios of

Valeska Cambron, Claire Chan,
Yvonne Curry, Alejandro Florez,
Joan Forsyth, Susan Friedlander,
Cara Gargano, Neal Kirkwood, Paul Kim, Yvonne Lau, Vanessa May-lok Lee,
Lily Librach, Ina Litera, Chiu‑Chen Liu, David Moreno, Halie Morris, Jeff Nichols, Deena Parrilla, José Pietri-Coimbre,
Marc Ponthus, Steven Rochen, Katie Seiler, Bryan Vargas

• About Stowe C. Phelps

  Third Street Music School Settlement’s Annual Concert was named in honor of Stowe C. Phelps in 1995 to convey Third Street’s appreciation of and deep gratitude for his service to the School.

  Stowe was a member of Third Street’s Board of Directors for more than 30 years, serving as both President and Chairman, and then as Chairman Emeritus until he passed away in 2013. 

  Stowe’s support and guidance set the standard of what a good board member should be and should do. His leadership was marked by extraordinary diligence, care and joy.

  For Stowe Phelps, Third Street’s students always came first. In recognition of his enduring commitment to these young people, to their well-being and to the development of their artistry and creativity, Third Street named this concert—traditionally the performing highlight of the year—in his honor.

The following words, written by Stowe decades ago, still ring true today:

Listening and viewing are totally different experiences from actually putting fingers on the keyboard, drawing a bow over a string, blowing a horn, or tapping a xylophone. They are different from applying paint with a brush to paper, or shapinga piece of clay. Sitting and watching a ballet, no matter how inspirational, cannot be compared to the revelation of moving, leaping, pirouetting, reaching, and turning one’s awkward body into an instrument capable of expressing beauty and aspiration. To enroll at Third Street is to engage in these discoveries. It is an active, personal experience of growth. And we believe that this rare, precious, challenging, and meaningful opportunity is the essence of Third Street.